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In the house of Rodney there is mourning and woe. Horror has fallen upon it, and something that touches on disgrace. Lady Rodney, leaning back in her chair with her scented handkerchief pressed close to her eyes, sobs aloud and refuses to be comforted.,

She lifts her luminous eyes to his, and regards him fixedly as she speaks, full of hopeful excitement. Her eyes have always a peculiar fascination of their own, apart from the rest of her face. Once looking at her, as though for the first time impressed with this idea, Geoffrey had said to her, "I never look at your eyes that I don't feel a wild desire to close them with a kiss." To which she had made answer in her little, lovable way, and with a bewitching glance from the lovely orbs in question, "If that is how you mean to do it, you may close them just as often as ever you like.",

A little foam has gathered round his lips, and his eyes are wild. Geoffrey, by a slight movement, puts himself between Mona and this man, who is evidently besides himself with some inward fear and horror.,

Before the man went away his father-in-law spoke to him and said, "When you get near home you must not go at once into the camp. Let some of your relations know that you have come, and ask them to build a sweat-house for you. Go into that sweat-house and wash your body thoroughly, leaving no part of it, however small, uncleansed. If you fail in this, you will die. There is something about the ghosts that it is difficult to remove. It can only be removed by a thorough sweat. Take care now that you do what I tell you. Do not whip your wife, nor strike her with a knife, nor hit her with fire. If you do, she will vanish before your eyes and return here."

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Here she gets completely out of her depths, and stops to consider from whence this train of thought sprung. The pig is forgotten,—indeed, to get from pigs to diamonds and back again is not an easy matter,—and has to be searched for again amidst the dim recesses of her brain, and if possible brought to the surface.,

This is a thunderbolt. They all start guiltily, and regard Mona with wonder. What is she going to say next?,

Mona never afterwards could say which man was the first to make the attack, but in a second they are locked in each other's arms in a deadly embrace. A desire to cry aloud, to summon help, takes hold of her, but she beats it down, some inward feeling, clear, yet undefined, telling her that publicity on such a matter as this will be eminently undesirable.,

He comes to her and looks over her shoulder at the paper she holds. In an ugly unformed hand the following figures and words are written upon it,—